From "Should We All Wake Up":
"Should we all wake up with nothing but our love, that should be enough".
It's a simple sentence that belies the complexity of its implication, which does a better job of describing what the record sounds like better than I ever could.
It may be an unfair comparison, but it's
the only one I can come up with: Eric & Magill's "All Those I Know" sounds like a Bon Iver record without the bullshit auto-tuned layers of falsetto self-indulgence. Actually, to compare the two at all is kind of weak. My first impression was "this sounds like a good Bon Iver record", but, really, it's far beyond that.
Eric Osterman and Decibully's Ryan Weber have crafted a dizzyingly coherent and tightly expansive record. Listening, it reminds me of early Vanderslice records, of mad scientists in t
heir lab. Not experimenting with tried and true pop sensibilities, but with the process of recording, they have crafted a unique sounding record.
There are influences from all over the place here: Irish folk and, maybe the most glaring Bon Iver comparison on "Vegetable Gardeners"; vocals pushed back in the mix a la early shoegaze; melodies that would make Brian Wilson proud, probably a lot of stuff I don't even know about.
Additionally, the songs are strong. If you were to strip away the layers and effects down to just a voice and guitar, they would be as interesting as their final product. The production of the album isn't used to make up for weak songwriting, but instead creates an environment that these songs live in, allowing the listener to explore and find new treasures with each play.
Download it for free from their bandcamp site: